This is what had Fish shared in Composer Seminar.
harmonic glissando >> main point
highest register >> tired
mute
blank space/ silence >> reduce the chance playing the wrong notes
brass >> make articulation
middle register >> soft dynamics
forzando >> effective
slide glissando for trombone
fingering trio >> hard to p in middle range
>> extreme range
Mark fingering & 靶位
articulation marking --> long note with different colour
One direction
Horn harmonic scale
Arrangement
--> separate into parts/instruments
Electronic >> record
>> exaggerate
Flutter tongue 10s-20s
Leap within an octave, check fingerings
Doubling with other instrument to produce new sound
- supporting the music with some characteristic sound >> choice of register, mute, trills, brassy sound/ use of quiet but rounded sound
sharp articulation >> fragment & sharp dynamic change
And also FlumG notes
L Subramanian --> violin
Carnatic
Rhythmic cycle (tala)
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