Compo | Brass Writing

This is what had Fish shared in Composer Seminar.

harmonic glissando >> main point

highest register >> tired

mute

blank space/ silence >> reduce the chance playing the wrong notes

brass >> make articulation

middle register >> soft dynamics

forzando >> effective

slide glissando for trombone

fingering trio >> hard to p in middle range

>> extreme range

Mark fingering & 靶位

articulation marking --> long note with different colour

One direction

Horn harmonic scale

Arrangement

--> separate into parts/instruments

Electronic >> record

>> exaggerate

Flutter tongue 10s-20s

Leap within an octave, check fingerings

Doubling with other instrument to produce new sound

- supporting the music with some characteristic sound >> choice of register, mute, trills, brassy sound/ use of quiet but rounded sound

sharp articulation >> fragment & sharp dynamic change

And also FlumG notes

L Subramanian --> violin

Carnatic

Rhythmic cycle (tala)